Contemporary thought often suffers from a twofold delusion. There either needs to be a model for everything or else everything is taken to be a difference in itself. In this way, pure identity and pure difference move their pawns against each other in an endless and fruitless game. Translation, of course, is the first victim…
Category: Music
The Enigma of the Sensible
Commenting on Stendhal’s The Red and the Black, Maurice Merleau-Ponty writes: What is important is not that Julien Sorel [i.e. the protagonist], after he has learned that he has been betrayed by Madame de Rénal, travels to Verrière and tries to kill her. It is that silence, that dreamlike journey, that thoughtless certainty, and that…
Nature and Culture in Musical Perspective
I Curves, Concavities, and Pottery Bowls The following drawing (which we have adapted from Paul Klee’s notebooks) represents the earth before any name is given to what the earth contains and, consequently too, before any distinction is made about its components (solids, liquids, and gases; obscure and bright things, long and short and hard and…
On Beauty and Perfection
Perfect is an adjective meaning thoroughly done (Latin per-fectus) and thereby done with care and eventually too, then, completed or free of fault. If, as a general rule, what is beautiful is that which is perfect, then neither everyone nor everything can be equally beautiful. Conversely, if, as a general rule, what is beautiful is…