I Franz Rosenzweig, in The Star of Redemption — which is a very interesting book, partly written in the trenches of the Balkan front during World War I —, accuses philosophy — he says: from Ionia to Jena, that is to say, all the history of philosophy, from its inception with the Ionian philosophers (Thales,…
Category: Life
Seeds of Singing – or, What Else Can a Soul Be and Do
Pasolini’s Teorema (1968) ends with one of the characters, “Paolo,” a bourgeois middle-aged man, running naked through the wilderness out of shame, a profound anti-bourgeois shame. For, while Paolo is able to break off with the bourgeois order that he himself incarnates as both a bourgeois father and businessman, he proves incapable of replacing it…
“We Fight Because We Die” (III): Extra-Modern War and Its Moral Supplement
(N.B. This entry follows from the previous one, titled: “An Existentialist Approach to Extra-Modern War”) Pierre Clastres states that “primitive societies […] invest themselves totally in their religious and ritual life, which unfolds as a continuously repeated affirmation of the communal Self,” and hence that “[e]ach ceremony is a new opportunity to remember that if…
“We Fight Because We Die” (II): An Existentialist Approach to Extra-Modern War
(N.B. This entry complements the previous one, titled “We Fight Because We Die” (I): On Extra-Modern War as a Question of Social Logic.”) We die. It can hardly be minimised. Thus the common ancient-Greek terms for men: θνητοί, “mortals.” During the opening seconds of Robert Gardner’s beautiful ethnographic film, Dead Birds (1964), the camera follows…
“We Fight Because We Die” (I): On Extra-Modern War as a Question of Social Logic
In Chapter 11 of Archeology of Violence, subtitled “War in Primitive Societies” – the term “primitive” has different connotations in French than it has in English: it means something like “original” or “primordial” in the Rousseauian sense, which is overtly non-evolutionist – Pierre Clastres begins by tracing a sharp contrast between two phenomena, namely, the…
Cannibalism as a Total Social Fact
1 “The power to change form – power over the image – can be seen as the ultimate realisable power in a society dominated by consensual (visual) image,” writes Roy Wagner.(⊛) By “consensual (visual) image” Wagner means what is commonly (and poorly) known as “tradition.” Take, for example, any extra-modern ritual: on the day in…
Bodies, Ghosts, Ancestors
It is tempting to view Plato’s tripartite division of the soul in Phaedrus 245c–253e as an instantiation – whose conceptual complexity is easily overlooked when the image it conveys is turned into a myth in the modern sense of the term, i.e. into an object of belief – of what we have called a semiotic…
Other (Non-)Life(?)
Objects(*) are the product of multiple relations – or, rather, their crystalizations. They form at the intersection of relational nodes. Where things touch each other and get enmeshed, new objects appear. As Jeffrey Cohen writes, “medieval writers […] described thunderstones that drop with fire from the sky, rocks that emerge through the subterranean lovemaking of…
Satyajit Ray’s Formal Beauty
Kurosawa famously said that “not to have seen the cinema of [Satyajit] Ray means existing in the world without seeing the sun or the moon.” Ray’s opera prima, পথের পাঁচালী Pather Panchali [Song of the Road] (1955), fits that description admirably.(*) Labelling it – as it is often done – a “neorealist” film misses, though,…
Capitalism as Acculturation – or, the Revolutionary Force of the Past
December 9, 1973. In an article published in the Corriere della Sera Pasolini laments the acculturation brought about by capitalism. In particular, he deplores the loss of the “peripheral cultures which, until a few years ago had their own life assured – essentially a free life, even if within the poorest, or even miserable, peripheral…