Merleau-Ponty’s later writings witness to a thematic shift from the study of perception to that of meaning as its supplement, in the Derridean sense of the term “supplement” – a shift that Merleau-Ponty himself describes in La Prose du monde with an eloquent metaphorical expression: “to cast the fish and keep the net” (jete[r] les…
Images of Thought
Interestingly, and as I have written elsewhere, this letter remains for us, Europeans, a typically Greek one (in German it is called ypsilon, which is its original Greek name; in French, i grec (“Greek i”); in Spanish, i griega). This very Greek “Y” symbolizes (or rather, pictures graphically; Pierce would have said that it is…
After Nietzsche
I Nietzsche claims that the way in which we picture the world affirms or denies what we are ready to put in it, in short, that our representations rely on a pre-representational basis, inasmuch as we see what we see depending on how we are inclined to value it. In other words, he underscores the…
Butō & Philosophy
To “represent” (vorstellen) something and to “position” (stellen) it in its “place” (Stelle) is said in German after the same verbal root, which is also inherent in the word Gestell: “positioning,” “enframing.” With the latter term, Heidegger points at the generalized availability in which things stand before us – a trait which is peculiar to…
Of Dreamscapes and Dancescapes
(A sequel to “Phantasmagoria“) There are two different theories of dreaming. One interprets dreams according to well-established a priori categories (such as complexes) and views dreams as symptoms of the dreamer’s personal expectations and frustrations, family and social roles, etc. Conversely, the other one approaches dreams in pragmatic and heuristic manner (as in a trial-and-error…
Dreams as the Fugues of the Unconscious? On Musical Polyphony and Schizoanalytic Pragmatics
For Mahoro Murasawa and Kevin Swierkosz-Lenart I Like everything else, music is (to use a Guattarian concept) an “optional matter”; that is to say, there are many ways to organize any sound material. Take, for instance, the chromatic scale, which represents a way of classifying and gathering together a finite number of sounds, namely, twelve…
Athena’s Shield
Detail of a 1st-century Roman copy of one of the statues of Athena sculpted by Myron and housed in the Parthenon. Madrid, Prado Museum. Photograph taken by the author I “I will not turn you into stones with snake-haired terror (schlangenhaarigem Schrecken): with my shield of beauty (Schild ,Schönheit‘) I protect myself.” Thus reads one…
Moons and Monads
Like being, time is said in many different ways. A day on Venus, for instance, lasts 243 Earth days, which means that, supposing one could see a full Moon from Venus (which is not possible, as when the Moon is full it is opposite to the Sun, while Venus is closer to it), supposing one…
‘Aγχιβασίην…
In a Buddhist temple (with its elaborate architecture, the internal division of the enclosure into sections, etc.) the sacred is delimited by markedly human categories (Buddha of compassion, Buddha of wisdom, etc.), plus it is planned and organized. Conversely, a Shinto shrine (consisting of a small, red portico at the bend of a forest path,…
Picturing Thought’s Self-Reflection
Thought’s minimal gesture amounts to establishing distinctions against the background of a night in which, otherwise, all cows would be black (and not even discernible from their own shadows): a primordial chaos or, what amounts to the same, the undifferentiated unity of all things in which nothing is yet outlined. (Example of basic distinctions: everything…