PREVIOUS PART HERE In Habu: The Innovation of Meaning in Daribi Religion, Roy Wagner writes: The words defined in a dictionary are all based on the principle of signification, and in most cases their signification is what is called lexical, that is, each word refers to one or more specific elements (which may be objects,…
Category: Thought
Metaphor and Meaning (I)
The Yanomami myth of the “falling sky” – which resembles that of the Celts reported by Ptolemy to Alexander during his campaign in Thrace against the Illyrians – offers a perfect site to briefly explore the relationship between metaphor and meaning. Davi Kopenawa narrates the myth thus: At the beginning, the sky was still new…
Ars Variationis
Contemporary thought often suffers from a twofold delusion. There either needs to be a model for everything or else everything is taken to be a difference in itself. In this way, pure identity and pure difference move their pawns against each other in an endless and fruitless game. Translation, of course, is the first victim…
The False Sublime
In his First Critique, Kant calls “determinative judgements” those in which both the particular (“these two points and the distance between them”) and the universal (“the notion that the shorter distance between two points is a straight line”) are given, the former in the form of the sensible multiplicity we experience (“this something,” “that something,…
Безвременные заметки о времени
§1 • Настоящее не может стать прошлым после того как было настоящим поскольку это означало бы, что оно станет прошлым в будущем. Напротив, настоящее, любое настоящее, должно быть всегда переходящим, или, точнее, учитывая его тонкость или по своей сути эфемерную природу (настоящее никогда не длится долго), оно должно непрерывно и одновременно раздваиваться в двух направлениях…
Pasolini and the Politics of the Sacred
Deleuze writes that “[a] close-up does not tear away its object from a set […] of which it would be a part, but on the contrary it abstracts it from all spatio-temporal co-ordinates, that is to say it raises it to the state of Entity.”(⊕) Think e.g. on the close-up of a face, which are,…
The Enigma of the Sensible
Commenting on Stendhal’s The Red and the Black, Maurice Merleau-Ponty writes: What is important is not that Julien Sorel [i.e. the protagonist], after he has learned that he has been betrayed by Madame de Rénal, travels to Verrière and tries to kill her. It is that silence, that dreamlike journey, that thoughtless certainty, and that…
Untimely Notes on Time
§1 • What is present cannot become past after being present, for that would mean it becomes past in the future. Rather, the present, any present, must be always passing, or, more exactly, given its thinness or inherently-ephemeral nature (the present never lasts long), it must unceasingly and simultaneously bifurcate itself in two directions (like…
Two Types of Outside: Vermeer & Velázquez
Allow us to begin by quoting two Wittgensteinian propositions and an excerpt from Roy Wagner’s comments on them in his The Logic of Invention (2019). Wittgenstein: “A picture cannot […] depict its pictorial form: it displays it” (Tractatus, 2.172). “A picture cannot […] place itself outside its representational form” (ibid., 2.174) Wagner: “A picture does…
Words as Echoes
What would happen if propositions, which are the means we have to make sense of things (“this is this,” “that is that,” “this evening I will finish the paper,” “Liam loves me no more,” etc.), were not formed by words, but by images; or if the words themselves could be said to be images, not…