PREVIOUS PART HERE In Habu: The Innovation of Meaning in Daribi Religion, Roy Wagner writes: The words defined in a dictionary are all based on the principle of signification, and in most cases their signification is what is called lexical, that is, each word refers to one or more specific elements (which may be objects,…
Metaphor and Meaning (I)
The Yanomami myth of the “falling sky” – which resembles that of the Celts reported by Ptolemy to Alexander during his campaign in Thrace against the Illyrians – offers a perfect site to briefly explore the relationship between metaphor and meaning. Davi Kopenawa narrates the myth thus: At the beginning, the sky was still new…
Beyond the Semiotic Prism
There is, on the one hand, the earth’s flesh, i.e. the multiplicity of movements, images, sounds, and sensations that compose it, by which all earthly beings enter in communication with one another emitting and receiving signs; that is to say, a dynamic multiplicity which is, furthermore, permanently accompanied by thought – a thought that is…
Ars Variationis
Contemporary thought often suffers from a twofold delusion. There either needs to be a model for everything or else everything is taken to be a difference in itself. In this way, pure identity and pure difference move their pawns against each other in an endless and fruitless game. Translation, of course, is the first victim…
Capitalism as Acculturation – or, the Revolutionary Force of the Past
December 9, 1973. In an article published in the Corriere della Sera Pasolini laments the acculturation brought about by capitalism. In particular, he deplores the loss of the “peripheral cultures which, until a few years ago had their own life assured – essentially a free life, even if within the poorest, or even miserable, peripheral…
The False Sublime
In his First Critique, Kant calls “determinative judgements” those in which both the particular (“these two points and the distance between them”) and the universal (“the notion that the shorter distance between two points is a straight line”) are given, the former in the form of the sensible multiplicity we experience (“this something,” “that something,…
Безвременные заметки о времени
§1 • Настоящее не может стать прошлым после того как было настоящим поскольку это означало бы, что оно станет прошлым в будущем. Напротив, настоящее, любое настоящее, должно быть всегда переходящим, или, точнее, учитывая его тонкость или по своей сути эфемерную природу (настоящее никогда не длится долго), оно должно непрерывно и одновременно раздваиваться в двух направлениях…
Pasolini and the Politics of the Sacred
Deleuze writes that “[a] close-up does not tear away its object from a set […] of which it would be a part, but on the contrary it abstracts it from all spatio-temporal co-ordinates, that is to say it raises it to the state of Entity.”(⊕) Think e.g. on the close-up of a face, which are,…
The Enigma of the Sensible
Commenting on Stendhal’s The Red and the Black, Maurice Merleau-Ponty writes: What is important is not that Julien Sorel [i.e. the protagonist], after he has learned that he has been betrayed by Madame de Rénal, travels to Verrière and tries to kill her. It is that silence, that dreamlike journey, that thoughtless certainty, and that…
Untimely Notes on Time
§1 • What is present cannot become past after being present, for that would mean it becomes past in the future. Rather, the present, any present, must be always passing, or, more exactly, given its thinness or inherently-ephemeral nature (the present never lasts long), it must unceasingly and simultaneously bifurcate itself in two directions (like…